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Alice Notley
Alice Notley (born November 8, 1945) is an American poet. Though she now lives in Paris, Notley came to prominence as a member of the second generation of the New York School of poetry, having been a workshop leader and frequent attendee and reader at the school's hub, the St. Mark's Poetry Project. Notley's early work laid both formal and theoretical groundwork for several generations of poets and is notable for being a pioneering voice on topics like motherhood and domestic life. Notley's experimentation with poetic form—seen perhaps most notably in her books ''165 Meeting House Lane'' (C Press, 1971), ''When I Was Alive'' (Vehicle Editions, 1980), ''The Descent of Alette'' (Penguin, 1996), and ''Culture of One'' (Penguin, 2011)--ranges from a blurred line between genres, to a quotation-mark driven interpretation of the variable foot, to a full reinvention of the purpose and potential of strict rhythm and meter. In addition to poetry, Notley has written a book of criticism (''Coming After'', University of Michigan, 2005), a play ("Anne's White Glove"—performed at the Eye & Ear Theater in 1985), a biography (''Tell Me Again'', Am Here, 1982), and she has edited three publications, Chicago, Gare du Nord, and Scarlet. Notley's collage art appeared in Rudy Burckhardt's film "Wayward Glimpses" and her illustrations have appeared on the cover of numerous books, including a few of her own. As is often written in her biographical notes, "she has never tried to be anything other than a poet," and with over forty books and chapbooks and several major awards, she is one of the most prolific and lauded American poets today.
==Early life==
Notley was born on November 8, 1945 in Bisbee, Arizona and grew up in Needles, California. Notley wrote extensively of her childhood and early life in her book ''Tell Me Again'' (Am here, 1982).
Notley left Needles for NYC to attend Barnard in 1963, desiring an escape from the isolation of her hometown.〔Encyclopedia of the New York School Poets〕 She received a Bachelor of Arts from Barnard College in spring 1967 and left NYC that fall for the fiction program at the Iowa Writers' Workshop. She was the only woman in her genre and one of two in the entire graduate writing department. Notley cites—in part—a reading by Robert Creeley as early inspiration for her writing more poetry. A close relationship with the poet Anselm Hollo, who was teaching at the program at that time, lead to Notley leaving Iowa City for Morocco in 1968. Notley claims it was boring and returned to Iowa City where she met the poet Ted Berrigan who began as an instructor at the school that fall.〔http://jacket2.org/commentary/conversation-alice-notley-poets-novel〕
After Notley's graduation, she and Berrigan spent periods of time in NYC and Buffalo. During the winter of 1970-71, Notley and Berrigan lived in Long Island, where Notley wrote her first book, ''165 Meeting House Lane'' (Twenty-Four Sonnets). The book took its title from the address of their home in Long Island and was published by Berrigan's C Press. It bears a dedication to James Schuyler and Anne and Fairfield Porter, who were also residing together in Long Island at the time. Notley also thanks Tom Clark who would go on to re-publish the sonnet cycle in his anthology ''All Stars.''〔Notley, Alice. ''165 Meeting House Lane.'' New York: C Press, 1971.〕 Notley and Berrigan spent the several months between Long Island and Chicago in Bolinas, California, which is where Berrigan officially printed ''165 Meeting House Lane''.〔http://www.jackmagazine.com/issue3/renhist.html〕 Notley's second book, Phoebe Light, was published in 1973 by Bill Berkson's Bolinas-based press Big Sky.〔http://www.bigbridge.org/bol-11.htm〕
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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